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Some critics were more reserved in their praise, taking issue with the literary references. In a four-stars-out-of-five rating of the song for the BBC, Fraser McAlpine deemed the Shakespearean reference not as sophisticated as its premise and the lyrics generic, but praised the production and wrote; "It's great to see a big pop song being used as a method of direct story telling".[27] Musicologist James E. Perone commented; "the melodic hooks are strong enough to overcome the predictability of the lyrics".[44] Jon Bream from the Star Tribune deemed the single inferior to Swift's debut country-music single "Tim McGraw" (2006) but commended the production as catchy.[22] In a Slant Magazine review, Jonathan Keefe was impressed by Swift's melodic songwriting for creating "massive pop hooks", but found the references to Romeo and Juliet "point-missing" and The Scarlet Letter "inexplicable". Keefe deemed the lyrics lacking in creativity and disapproved of Swift's "clipped phrasing" in the refrain.[45]
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If you have a teen gamer on your hands, this list is for you. We've compiled some of the best options on the market for the 12-and-older set, from classic RPGs and adventure sims to turn-based strategy games and brainteasers loaded with learning. Be forewarned: We know that content for older gamers can sometimes push the edge of what parents are comfortable with. These top-rated titles aren't as mature as Call of Duty or Grand Theft Auto, but some still contain edgy content some kids may not be ready to handle. Be prepared to discuss how sex and violence are depicted in these popular picks.
Krystal 4:04Okay. So it was a with the episode where you're talking about art. And when she had her seizure at two years old, or two, I think it was right. And she was talking about how she like couldn't see and stuff like that. And like, it just really like struck me like my son has said things like that before, and he was diagnosed So Young as well. And I just really like I was like, Oh my God, you know what I mean? And I heard your story and I listened to a lot of your podcasts. Not all I'm not gonna lie and listen to every single one you have a lot. But I have listened to a lot of them. And I just felt maybe like, you know, I heard you doing interviews with other people with diabetes with people living with people with diabetes and so on and so forth. And I figured, you know, maybe I could share my story, like I said, and just try and reach out to other people. But yeah, that episode were like, you were talking about art and the Having her seizure and you even put the video clip I was a mess. I was crying. I was so emotional and it really hit me deep.
While this book is not intended for younger readers, mature readers (10th grade and up) will appreciate the reality of this novel. The novel forces readers to think about the war from a new perspective, can be easily connected to ideas about history, and may be used to discuss context in current political events.
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With the plethora of like-minded young companies like Facebook, MySpace, Wikipedia and Flickr emerging, the big response they're seeing, and the many acquisitions by major players like Google, News Corp. and Yahoo!, this points to a second wave for dotcom startups reminiscent of the IPO frenzy before the bubble burst in 2001. But this time, investors are more cautious, so the competition is much fiercer amongst startups. After 2001, most venture capitalists turned away from young companies, instead seeking out more mature companies with older, more experienced management teams and proven business models. But after internet stocks came back to life in 2004, venture capitalists have once again been spotting--and latching on to--young talent like Hurley and Chen. 041b061a72